All of the whatever, the facade, the defenses, and all that she had out in the world of, “I’m smart, and I have to prove it, and I’m the best!” are all gone when she’s with him. I would say any of those scenes in that office were my favorite.Īt a certain point, I made the choice because Daisy can be annoying and quirky and all that, when she was with Lance, she was her most honest. And then we had another nice make out when he got his gun for the first time. We certainly had a very nice make out on the couch in that room if I recall. They always staged it so we were sitting across from each other - those are my favorite ones. We had a lot of great scenes in his office. The scene where I tell him I’m leaving for Maluku. That’s hard, there are so many good ones. Since you’re now done with with this particular chapter in the Daisy/Sweets story, is there a particular moment you’re most going to cherish from their time together?ĬG: My goodness, that’s a good question. I think is going to be why it won’t just be, “Hey, I had the baby!” It is more meaningful than just a character having a baby, it’s his legacy. It’s a good point, though - they’ve done it twice, so they might not want to do it again. It’s a tough call, because they have had two characters give birth on-screen, but a the same time, with Sweets being dead, you’d think they wouldn’t want to gloss over his child being born…ĬG: Right. I feel like if I did have to do that, it would be BONES-style, so it would be funny, you know? So at least it wouldn’t be dramatic. I kind of hope not, because that’s a hard thing to do, but I don’t know. Am I going to have to give birth? I’ve never had to do that on-camera. You’ll get a surprise when the script arrives!ĬG: I always kind of do, but this time more than ever. I don’t know! It’s going to be interesting. Maybe it just won’t be glossing over it I was kind of expecting that. I don’t know if they’ll show it, but I don’t know. Initially, I was like, “Oh, I’m sure I’ll just show up, ‘Hey, I had the baby yesterday.'” But now I’m starting to think maybe they will. I just know that I’m coming back, so I’m just very grateful.ĭo you know at this point whether you’re going to have to give birth in an episode, or is Daisy going to just show up with a baby?ĬG: I don’t know. So I’m just glad to be coming back.Īnd after that, I know we have the 200th episode coming up. I know Daisy is set to return, but have you filmed any more episodes beyond “The Lance to the Heart” yet?ĬG: I haven’t! And I don’t get the script until the day before I start work. But I hope it looks good! But it was tough doing all the emotional work and then singing. It did! It felt like a very appropriate goodbye for Sweets.ĬG: I just remember singing one part and other people singing other parts, and oh my God. It felt like we were all singing different words, so I hope it turned out okay. But also, I didn’t know all the words, so I was like, oh God, and I turned away from the camera. I totally understand ending on a lighter note. I’m curious to see how it plays, because it was a heavy scene. Was it a difficult transition to go from that grief to singing “Coconut”?ĬG: Um, yeah, it was a little.
I don’t know this person, or I was just a day player, or we didn’t get to know each other.” But in this case, I think we all felt way: I can’t believe he’s gone. Normally it’s, “I have to play this person died, but I’ve only been working here a week. This was a unique circumstance to be mourning someone who is leaving or gone. And it really did feel like - usually when you’re shooting a death scene or something like that on whatever show, you have the actor you’re not so attached to, it’s just an actor playing someone who died. It was really super challenging on the work side of it.Īnd to be in that emotional state is hard, and sad. And so it was hard! And so you’d go in saying, “I got through this day and these scenes.” And then you’d know, okay, the next day I have to come in and get through these scenes. Obviously, it was the most emotional, and from the actor standpoint, I just knew how much work I’d have to do for it. I would say that’s the hardest episode I’ve ever shot.
How was it filming the memorial scene for Sweets?Ĭarla Gallo: That was a tough one.
I spoke with BONES’ Carla Gallo (Daisy) about filming the memorial for her on-screen love, possibly giving birth on-screen, her favorite Sweets/Daisy moment, and more… The BONES team said goodbye to Sweets in “The Lance to the Heart” in a very appropriate way: they gathered together, shared stories of what he meant to him, and sang “Coconut” as they scattered his ashes.
0 kommentar(er)
